BOOKS AND REFERENCES
Archer William G. and Dr. Mildred Archer, 1934 Collection of India Records Office in London, 1946
Archer William G, The hill of flutes: Life, love, and poetry in tribal India: a portrait of the Santals, S. Chand Publications, New Delhi, 1974.
Archer, Mildered, Domestic Arts of Mithila: Painting, Mulk Raj Anand (Editor), Marg: A Magazine of the Arts: Volume XX, No. 1, 1966.
Bagchi, J., The history and culture of the Palas of Bengal and Bihar c. 750 A.D. - c. 1200 A.D, Abhinav Publications, New Delhi, 1993.
Bose Nandalal, Vision and Creation, Visva Bharati, 1999.
Chakraverty Anjan, Indian Miniature Painting, Indian Crest, Lustre Press, Roli Books, 2005.
Das, Nirmalendu. ‘The early Indian Printmakers: An approach to Social Science, Ethnical and Technical Study’. Lalit Kala Contemporary Issue No. 39, Asstt. Editor (c): Mukhopadhyay, Amit, Lalit Kala Academy, Rabindra Bhavan, New Delhi, March’94.
Doshi Saryu, Masterpieces of Jain Painting, Marg Smithsonian Inst Pr, 1985
Dutt Gurusaday, The Importance of Folk Art, Folk Art and Its Relation to National Culture, Source: Gurusaday Dutta Museum, Kolkata
Garimella Annapurna, Vernacular, in the contemporary, Catalogue 1 & 2 Part one, Curated by Jackfruit Research and Design, Devi Art Foundation, New Delhi, 2010.
Havell, E. B., Indian sculpture and painting. John Murray, London, 1908.
Havell, E. B. A Handbook of Indian Art. John Murray, London, 1920.
Jain Jyotindram, Other Masters: Five Contemporary Folk and Tribal Artists of India, Crafts Museum and The Handicrafts and Handlooms Exports Corporation of India Ltd. (New Delhi - India), 1998.
Jain Jyotindra, Kalighat Painting: Images from a Changing World, Mapin Publishing Pvt. Ltd., Ahmedabad, 1999.
Joshi, T.: Timeless Traditions Contemporary Forms Art and Crafts of Madhya Pradesh, Wisdom Tree, New Delhi, 2007.
Kramrisch, Stella, The Vishnudharmottara Part III: A Treatise On Indian Painting and Image-Making. Second Revised and Engarged Edition, Calcutta University Press, Calcutta, 1928.
Lazaro Desmond Peter, Pichhvai Painting Tradition of Rajasthan: Materials, Methods and Symbolism, Mapin Publishing Gp Pty Ltd, 2006.
Mitter Partha, The Triumph of Modernism, India’s Artists and Avant-grade 1922-1947, Oxford University Press, 2007
Ramani Shakuntala, Kalamkari and Traditional Design Heritage of India, Wisdom Tree, 2007.
Sarkar Nikhil, Calcutta Woodcuts: Aspects of a Popular Art. Page 47, Woodcut Prints of Nineteenth Century Calcutta, Edited by Ashit Paul, Seagull Books, Calcutta, 1983
Singh Chandramani, Centres of Pahari Painting, Abhinav Publications, 1981.
Som Sovon, Shilpa Shiksha O Aupaniveshik Bharat (Art Education in Colonial India-Bengali), Publications Division, Ministry of Information and Broadcasting, Government of India, 1998
Sobhan Som Openti Biscope, camp, 15,dihi entail road, Calcutta-14, January 1993
Subramanyan K. G., Living Tradition, Perspectives on Modern Indian Art, Seagull Books Pvt. Limited, Kolkata, 1987.
Subramanyan K. G., Magic of Making, Essays on Art and Culture, Seagull Books, 2007
Subhramanyan K. G., Moving Focus: Essays on Indian Art, Lalit Kala Akademi, New Delhi, 1978, Reissued by Seagull Books, Calcutta in 2006
Subhramanyan K. G., ‘The Nandalal Gandhi Rabindranath Connection’, Rhythm of India, The Art of Nandalal Bose, San Diego Museum of Art, California, 2008.
Szanton David L and Malini Bakshi, Mithila Painting: The evolution of an Art Form, Pinkmango, San Francisco, USA, 2007
Vatsayan Kapila, The Square and the Circle of the Indian Arts, Abhinav Publications, 1997