Certificate Course in Hindustani Raga Sangeet–Level 2

By Prof. Sharangdhar Sathe | Savitribai Phule Pune University, Pune

Learners enrolled: 1068

This course is about Raga Sangeet especially Evening Raga. By learning this course, students would understand different Raga,

its basic information, some Alankar and few Bandish. There are demonstrations of each Raga in Vocal as well Instrumental rendering. Various Gurus have demonstrated different Bandish and other compositions. Students would benefit not only from the video lectures but also through the reading material provided with each module. The course is of 12 weeks containing 42 modules with 4 credits.

Summary

Course Status :	Completed
Course Type :	Core
Duration :	12 weeks
Category :	Arts
Credit Points :	4
Level :	Undergraduate
Start Date :	05 Aug 2019
End Date :	13 Oct 2019
Enrollment Ends :	11 Sep 2019
Exam Date :	10 Nov 2019 IST

Note: This exam date is subjected to change based on seat availability. You can check final exam date on your hall ticket.

Page Visits

Course layout

Week 1: Technical Definitions and Notations

Week 2: Thaat Todi: Raga Miyan Ki Todi

Week 3: Thaat Aasawari: Raga Jounpuri

Week 4: Thaat Bilawal: Raga Bihag

Week 5: Thaat Bilawal: Raga Deshkar

Week 6: Thaat Marwa: Raga Marwa

Week 7: Thaat Khamaj: Raga Des

Week 8: Thaat Kalyan: Raga Kedar

Week 9: Thaat Kafi: Raga Bageshree

Week 10: Thaat Bhairavi: Raga Malkouns

Books and references

• Hindustani Sangeet Padhhati - Kramik Pustak Maalika, Part 1 to 6 by Pt. Visnunarayan Bhatkhande

• Raag Bodh - Part 1 to 6 by Prof. B. R. Deodhar

• Raag Vigyan - Part 1 to 8 by Dr. Madhusudan Vinayak Patvardhan

• Abhinav Gitanjali - Part 1 to 5 by "Ramrang" Pandit Ramashraya Jha

Instructor bio

• Prof. Sathe is working as Director at BVDU School of Performing Arts, Pune.

• Chairman of Board of Studies in Performing Arts and has been instrumental in developing syllabus for
Music and Dance courses of Graduation, Post Graduation and Ph.D.

• Has been associated with many socio cultural organizations for more than 20 years. He was instrumental
to start SPIC-MACAY (Society for Promotion of Indian Classical Music & Culture Amongst Youth) in
Maharashtra & Goa. He was State Coordinator for Maharashtra and Goa for more than 15 years. He has
organized more than 1,000 programs in these states and has coordinated with many artistes like Pt.
Bhimsen Joshi, Pt. Shivkumar Sharma, Pt. Hariprasad Chaurasia, Ustd. Bismillakhan, Pt. Birju Maharaj,
Dagar Brothers, Pt. Rajan & Pt. Sajan Mishra, Dr. Prabha Atre and many more.

• Under his guidance many students of school of Performing Arts are performing all over India. Few have
performed in National / International music concerts. In last 6 years more than 30 students have received
HRD Ministry Scholarship.